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Estefanía Narváez

Bailaora (Dancer)

An international dancer, she has toured the world performing in the most prestigious theaters and festivals.

Estefania Narvaez

Estefanía Narváez stepped on stage for the first time at the age of 6 in the company of Ramón de los Reyes in Boston, USA. She studied in Seville as a young girl with great masters such as Farruquito, Antonio Canales and Juana Amaya, and continued her training in Madrid with masters such as Jose Maya, Alfonso Losa, Belen Lopez, Pedro Cordoba and David Paniagua.

Estefanía Narváez, international dancer.

Estefanía has Latin roots; her father is Colombian and her mother is Puerto Rican. She has traveled the world dancing in prestigious theaters and festivals such as: Joyce Theatre in New York, the Khamoro Festival in Prague, International Dance Festival at Jacob’s Pillow, and Lincoln Center in New York. While living in Madrid she works in the most renowned tablaos in the country such as Tablao Flamenco 1911, Cardamomo and many more, sharing the stage and collaborating with great artists.

Artists

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Could the New York Times be Wrong?

“Cardamomo is dark, tight, and as the clouds formed inside, and the dancing and wailing began, the rooms became filled with energy. Each of the dancers interpreted the music, as they saw fit, and you felt that you were watching the creation of a dance, every time…

— Dave R, TripAdvisor

El Show

“Estupendo show, flamenco de verdad, sin dramas ni estilos impostados, en este show los que bailan, son flamencos de verdad. El mejor bailaor masculino que he visto en años. Las chicas impresionantes. Fue tan bueno que repetí.”

— VeroM5, TripAdvisor

Madrid has dozens of fine tablaos (flamenco venues), but there’s only one Cardamomo.

All the spontaneity and raw passion of flamenco thrives here in this dark, smoky bar where a knowledgeable crowd gathers for live performances many weeknights from around 10.30pm. It’s all about a cantaor (flamenco singer) and guitar maestro, and this evocation of flamenco’s Andalusian roots ensures that…

— The Guardian
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