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Carmen Romero

Carmen Romero is the fire of a new generation who dances with the mastery and purity of the deepest flamenco.

Born in Lorca in 2003, Carmen Romero represents a new generation of dancers who fuse the most refined technique with the purest emotion of flamenco. Trained in Spanish dance and flamenco at the Dance Conservatory and the Flamenco School of Andalusia, her career stands out for a stage maturity that overflows her youth.

She has toured international stages as a soloist and member of the Ballet Flamenco de Barcelona, performing Carmen in countries such as Portugal, Poland, Greece, or France. Her art has also shone in emblematic tablaos like Cardamomo, La Carmela, or La Cueva de Rocío, where her dance captivates with its strength, elegance, and truth.

Winner of the Begoña Cervera Flamenco Award – Tacones del Futuro (2023), Carmen has shared the stage with figures such as José Maya, Alfonso Losa, and Belén López, and has been a guest dancer with the Russian Imperial Ballet in The Nutcracker.

Her dance is born from solid training and a constant search. She has learned alongside great masters such as La Lupi, Jesús Carmona, La Moneta, Manuel Liñán, among others, and has been awarded scholarships by La Truco, Laura Fúnez, and Daniel Ramos.

Carmen Romero is young fire with deep roots. In every step, she pays homage to tradition while paving the way for a vibrant, contemporary flamenco full of truth.

Where we are: Echegaray Street 15 - Madrid

Sol / Sevilla
Contact us: reservas@cardamomo.com

+34 918 05 10 38
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Where to see flamenco in Madrid?

Cardamomo offers 4 daily passes with different shows and artists every week

Programación Artística Cardamomo 30 de Marzo - 5 Abril

From March 30th to April 5th

Cardamomo Weekly Artistic Program

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Primer plano de una bailaora de flamenco en plena actuación en el escenario de Cardamomo. La iluminación es de un rojo intenso y dramático sobre un fondo oscuro. Ella viste un traje tradicional oscuro y se encuentra en una postura dinámica y llena de fuerza, con una expresión de profunda pasión y entrega.

From March 30th to April 5th

Semana Santa at Cardamomo

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What they say about us

“Cardamomo is dark, tight, and as the clouds formed inside, and the dancing and wailing began, the rooms became filled with energy. Each of the dancers interpreted the music, as they saw fit, and you felt that you were watching the creation of a dance, every time a new dancer started…dancers entered trances, clicked, and clocked, rapped with the guitarists, all the while the singers added their inspiration to the cause. The dancers, while on this small stage, commanded the audience, and it was a treat to watch them walk off the stage with all humbleness, after being musical assassins on stage.”
— Dave R, TripAdvisor

Far from what we expected, the Tablao Cardamomo left us speechless, amazed and above all proud to be from here and to know that this culture is also ours. The rest of the people who packed the Tablao and the tables -many foreigners but also many Spaniards- had to enjoy it to the fullest.
— thewotme.com

Madrid has its fair share of tablaos (flamenco venues). Cardamomo is one not to miss. What is a visit to Madrid without some traditional entertainment? You are assured of this at Cardamomo.
— luxos.com

“Me and four of my friends went here to enjoy our first taste of Flamenco. Flamenco, if you don’t know, started as an expression to poetry. There is soulful signing, clapping, snapping and when the dancers begin their performance the emotion and power is intense. We went to the 8 pm performance and all really enjoyed it. I would recommend.”
— Arlington, TripAdvisor

Live music is thriving in Madrid, from classical and opera to blues, rock and jazz, but the speciality is flamenco. It may seem odd that the music of the south is so important up here, but there are two reasons for that: first, a lot of Andalusians have made their homes here, and second, any flamenco artist worth his salt wants to play the big tablaos — dinner shows — in el capital. Cardamomo is the real deal, catering to a crowd that knows its bulerias from its soleas. There are three sessions a night, at 6pm, 8pm and 10pm, and, obviously, you’ll go to the latter.
— The Times