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Sonia Cortés (Madrid)

Cantaora (Singer)

Sonia Cortés was born into two recognized artistic families: his father´s family, ‘The Pucherete’, with four generations of guitarists; and ‘Los Remolinos’ with guitarists and dancers like her mother, Amparo Cortés, and her aunt Carmen Cortés.

sonia cortes flamenco madrid tablao cardamomo

From the beginnings of her love for flamenco she still guards some of the singing records in duo with her father while she was only three years old. After growing up between flamenco dresses and ‘rasgeaos’, she began studying dance at the Dancer Conservatory of Madrid. The first time she sang on stage was while she was dancing for a company and meanwhile the singer did not attend, she, without thinking twice, took the initiative to fill his post. From that moment, her interventions were more frequent as a singer: working professionally for companies like Antonio Najarro, Antonio Marquez and the New Spanish Ballet even up to sing at the International Monetary Fund Washington, at the Royal Theatre with the Young Madrid Symphony Orchestra or with the missing Rocio Jurado on her last TV show ‘Rocio Siempre’ She was the youngest specialist singer to start working at the Conservatories of Madrid. Her passion for jazz and rock have opened a new way of feeling flamenco, playing themes of Ray Charles and Billie Holiday. Currently, in coherence with her personal commitment in flamenco-rock fusion, she is recording an album with José Luis Garrido.

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¡Excelente opción para vivir el tablao español!

“He vivido una experiencia maravillosa, los cantaores, los guitarristas, los bailarines te permiten vivir un sueño con su espectáculo. La atención insuperable y la cena deliciosa!! Les invito a visitar este sitio, realmente espectacular. Gracias por permitir lograr un sueño.”

— Rosisa41, TripAdvisor

It was everything I always imagined and even more

I used to always imagine flamenco as this passionate dance that took place in darkened stages. During a recent trip to Spain I finally got the chance to visit a Tablao Flamenco. I was happy to see that it was everything I always imagined and even more.

— Marina Kuperman, travelingmom.com

Could the New York Times be Wrong?

“Cardamomo is dark, tight, and as the clouds formed inside, and the dancing and wailing began, the rooms became filled with energy. Each of the dancers interpreted the music, as they saw fit, and you felt that you were watching the creation of a dance, every time…

— Dave R, TripAdvisor
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