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Irene Correa (Madrid)

Bailaora (Dancer)

She was graduated in 2014 at the Royal Conservatory of Dance Mariemma (APCE) in Madrid and later Irene Correa continued her training with teachers of Spanish Dance and Flamenco as: Alfonso Losa, Antonio Canales, Manuel Linan, Maria Juncal, La Moneta, La Truco Olga Pericet, The Barullo, David Paniagua, Javier Latorre, Rubén Olmo, Nino de los Reyes and Guadalupe Torres.

irene-correa

In 2012 she received the First Prize at the Interartistic Week for Proffesional Education choreographed by Javier Formoso; and the following year gets the First Prize in the specialty of Flamenco Dance at the XVII Dance Competition, Ciudad de Castellon…

In 2013 she worked in the show Fatum! La Fuerza del Destino in the Flamenco Company of Kojima Latorre. In 2014 she participated as a guest artist at the XXII National Dance Competition in Castellón with the Cinco Larantes choreography. That same year she was part of Rafael Estévez Company and Nani Paños in the show Flamenco Hoy by Carlos Saura, which is represented in Turkey and Uruguay; and worked in the show Mi Sangre Grita, under the artistic direction of Miguel Cañas and Curro de Candela. At the moment she is working with the Rafael Aguilar Ballet Company with which she has been touring China with the show Carmen.

Artists

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Flamenco greatness

“This was way above and beyond my expectations! Loved the venue and the open sangria bar with the last show! They have a great venue and it’s very exciting to watch the amazing flamenco dancers do their magic!!”

— Stpaddy315, TripAdvisor

El Show

“Estupendo show, flamenco de verdad, sin dramas ni estilos impostados, en este show los que bailan, son flamencos de verdad. El mejor bailaor masculino que he visto en años. Las chicas impresionantes. Fue tan bueno que repetí.”

— VeroM5, TripAdvisor

Cardamomo is the real deal, catering to a crowd that knows its bulerias from its soleas.

Live music is thriving in Madrid, from classical and opera to blues, rock and jazz, but the speciality is flamenco. It may seem odd that the music of the south is so important up here, but there are two reasons for that: first, a lot of Andalusians…

— The Times
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