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Camarón de Pitita (Madrid)

Guitarist

Son of the distingue singer Antonio Carmona ‘El Rubio’ the guitarist Camarón de Pitita (Andres Carmona Silva), representative of the Madrid School of Caño Roto, began his career at the age of 5, by presenting during 2 years the program Un Mundo of Spanish TV.

guitarra flamenco madrid tablao cardamomo camaron pitita
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When he was only 9 years old, he participated at La Línea de la Concepción Festival with Fosforito and Camarón de la Isla; and for years he gave concerts throughout Spain, collaborating with artists like José Mercé, José de la Tomasa, Manzanita, Pan Sequito and Juan Valderrama, among others.

At the age of 20 in his first musical work he collaborated with Cristina Heeren and Juan Andrés Maya, and as the leading figure in posters with Fosforito and La Susi. He has led the musical direction works of Juan Andrés Maya, a flamenco dancer; he authored the choreography with which the dancer Rocío Molina won the first prize of the Flamenco Español of Albéniz Theatre; he worked as lead guitar in Troya with Rafael Amargo. He has collaborated also with Guadiana, José Antonio Ramos, Miguel Poveda, Marina Heredia, La Macanita, besides participating in the company of Antonio Gades. He has worked in Flamencas en la sombra of Montse Cortés. We are lucky to have him representing the best flamenco show in Madrid, Cardamomo!

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Donde los grandes del flamenco se sienten en casa

“Considerado por los ‘connoisseurs’ como el corazón y alma del flamenco en Madrid, El Cardamomo es un tablao intimo y acogedor donde vivir la pasión del flamenco autentico. Seleccionado por el New York Times en su artículo “36 horas en Madrid” y recomendado por el Guardian como…

— deflamenco.com

Cardamomo is the real deal, catering to a crowd that knows its bulerias from its soleas.

Live music is thriving in Madrid, from classical and opera to blues, rock and jazz, but the speciality is flamenco. It may seem odd that the music of the south is so important up here, but there are two reasons for that: first, a lot of Andalusians…

— The Times

Could the New York Times be Wrong?

“Cardamomo is dark, tight, and as the clouds formed inside, and the dancing and wailing began, the rooms became filled with energy. Each of the dancers interpreted the music, as they saw fit, and you felt that you were watching the creation of a dance, every time…

— Dave R, TripAdvisor
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