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Curro de Candela (Madrid)

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As the youngest representative of the dynasty of artists initiated by José Greco, Curro de Candela joined the Joaquín Cortés Company at the age of 17, during his studies and training in Classical and Contemporary Dance. He is invited by Maestro Antonio Reyes as a principal dancer in his company, and soon after joined Maria Juncal Dance Company…

tablao flamenco madrid cardamomo curro candela
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The Cuban choreographer René de Cárdenas of the National Ballet of Cuba invites him to participate and join his own work Sonlar, whose premiere in Madrid had a great success. He used his stay in Cuba for further refinement in the dance; meanwhile he was getting close to Afro-Cuban rhythms and dances. On his return to Spain he danced in the Christopher Reyes Company as a guest artist and as a choreographer. At the age of 22 he premiered at the Aranjuez Casino his own flamenco show and takes it on tour in Italy. Step by step, he starts to introduce avant-garde elements and Afro-contemporary elements that give life to his new show: Afrogitano, which was premiered at the Beirut Casino. He travels frequently to America where he teaches master classes and works with different Companies. One of his last works, Mi Sangre Grita, was presented in September 2014 at the Royal Theatre Carlos III in Aranjuez. We are lucky to have him representing the best flamenco show in Madrid, Cardamomo! www.currodecandela.com

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Cardamomo is definitely one of the best flamenco shows in Madrid.

Cardamomo is definitely one of the best flamenco shows in Madrid.

— Spanishsabores.com

Go Flamenco at Cardamomo in Madrid

Madrid has its fair share of tablaos (flamenco venues). Cardamomo is one not to miss. What is a visit to Madrid without some traditional entertainment? You are assured of this at Cardamomo.

— luxos.com

Cardamomo is the real deal, catering to a crowd that knows its bulerias from its soleas.

Live music is thriving in Madrid, from classical and opera to blues, rock and jazz, but the speciality is flamenco. It may seem odd that the music of the south is so important up here, but there are two reasons for that: first, a lot of Andalusians…

— The Times
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