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Curro de Candela (Madrid)

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As the youngest representative of the dynasty of artists initiated by José Greco, Curro de Candela joined the Joaquín Cortés Company at the age of 17, during his studies and training in Classical and Contemporary Dance. He is invited by Maestro Antonio Reyes as a principal dancer in his company, and soon after joined Maria Juncal Dance Company…

tablao flamenco madrid cardamomo curro candela
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The Cuban choreographer René de Cárdenas of the National Ballet of Cuba invites him to participate and join his own work Sonlar, whose premiere in Madrid had a great success. He used his stay in Cuba for further refinement in the dance; meanwhile he was getting close to Afro-Cuban rhythms and dances. On his return to Spain he danced in the Christopher Reyes Company as a guest artist and as a choreographer. At the age of 22 he premiered at the Aranjuez Casino his own flamenco show and takes it on tour in Italy. Step by step, he starts to introduce avant-garde elements and Afro-contemporary elements that give life to his new show: Afrogitano, which was premiered at the Beirut Casino. He travels frequently to America where he teaches master classes and works with different Companies. One of his last works, Mi Sangre Grita, was presented in September 2014 at the Royal Theatre Carlos III in Aranjuez. We are lucky to have him representing the best flamenco show in Madrid, Cardamomo! www.currodecandela.com

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Nice snapshot of flamenco

“Lovely intimate venue with a good view of the stage. Great performers who are clearly passionate and inspiring. Wonderful first experience of flamenco. At just under an hour, it’s a lovely taste of flamenco.”

— Lovetorove, TripAdvisor

¡Excelente opción para vivir el tablao español!

“He vivido una experiencia maravillosa, los cantaores, los guitarristas, los bailarines te permiten vivir un sueño con su espectáculo. La atención insuperable y la cena deliciosa!! Les invito a visitar este sitio, realmente espectacular. Gracias por permitir lograr un sueño.”

— Rosisa41, TripAdvisor

Could the New York Times be Wrong?

“Cardamomo is dark, tight, and as the clouds formed inside, and the dancing and wailing began, the rooms became filled with energy. Each of the dancers interpreted the music, as they saw fit, and you felt that you were watching the creation of a dance, every time…

— Dave R, TripAdvisor
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