On his mother\u2019s side we find names as renowned as \u201cPotito\u201d, Angelita Vargas, Joselito Vargas, etc. And on this father\u2019s side another range of prestigious artists like Raimundo Amador, Juan Jos\u00e9 Amador, Diego Amador, Rafael Amador, and many others\u2026<\/p>\n
He began his career by forming a Flamenco group with Los Losada under the name of \u201cMacand\u00e9\u201d which gave concerts in Madrid for two years. He then went on to create another group, this time under the name of \u201cCa\u00f1o Roto\u201d with which he also gave many concerts over a period of five years. This group included members as important as Jes\u00fas de Rosario, Mario Montoya, Kelian Jim\u00e9nez, David Cerreduela, \u201cPira\u00f1a\u201d and Jer\u00f3nimo Maya. Interestingly, this group lasted until one specific evening. While performing in the well-known venue Surist\u00e1n, the international dancer Sara Baras was so impressed that she immediately offered a contract to work in her company to almost all its members, thus harnessing all their talent. This led to five years of tours all over the world signing Flamenco to all manner of international audiences. After this time he took part in Tito Losada\u2019s production \u201cDe Casablanca a Madrid\u201d at the Teatro Alc\u00e1zar. And a little later he toured the world as part of companies as prestigious as that of Rafael Amargo, the company of \u201cEl G\u00fcito\u201d, the company of Manolete, that of Antonio Canales and the company of Cecilia G\u00f3mez. He performed on many stages worldwide, such as New York, London, Mexico, Moscow, Bogota, Tokyo, Buenos Aires, Paris and Rome, to name but a few. He has managed to combine all this work with different collaborations in the most important Flamenco venues and theatres in Spain, as well as participations in the albums by Ram\u00f3n Jim\u00e9nez, Jes\u00fas de Rosario, Jer\u00f3nimo Maya, Juan Cort\u00e9s, \u201cEl Negri\u201d (\u201cFragua futura\u201d), and many others. He has also taken part in many of the editions of the Flamenco Festival of the Community of Madrid \u201cSuma Flamenca\u201d. If one had to describe the voice of Antonio Amador \u201cEl Ciervo\u201d in just a few lines, one could perhaps tell the story involving two singers who did not know each other. On the one hand, while performing at a private party in London, the great Alicia Keys told him that when she listened to him it sounded like \u201cpassionately ethnic music\u201d. And interestingly, years later, the also great Luz Casal, in the venue 18 Chulos in Madrid approached him and, as if they had both agreed amongst themselves, said the same thing in the exactly the same way. In short, the opportunity to listen to this great singer, whether inside or outside the realm of Flamenco, is a chance to connect with that way of signing that some would proudly describe as \u201cvery gypsy\u201d. We are lucky to have him representing the best flamenco show Madrid<\/a>, Cardamomo!<\/p>","protected":false},"featured_media":157279,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"class_list":["post-685","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n