{"id":159503,"date":"2026-06-29T08:30:50","date_gmt":"2026-06-29T06:30:50","guid":{"rendered":"https:\/\/cardamomo.com\/es\/?p=159503"},"modified":"2026-06-29T11:15:24","modified_gmt":"2026-06-29T09:15:24","slug":"cantaores-flamencos-de-los-anos-90-la-decada-que-lo-cambio-todo","status":"publish","type":"post","link":"https:\/\/cardamomo.com\/fr\/chanteurs-flamenco-annees-90\/","title":{"rendered":"Chanteurs de flamenco des ann\u00e9es 90 : la d\u00e9cennie qui a tout chang\u00e9"},"content":{"rendered":"

Les ann\u00e9es 80 avaient \u00e9t\u00e9 une p\u00e9riode de transition. Les ann\u00e9es 90, c’\u00e9tait autre chose. Le cante perdit ces ann\u00e9es-l\u00e0 sa plus grande figure et, presque au m\u00eame moment, vit appara\u00eetre les voix qui allaient dominer pendant les trois d\u00e9cennies suivantes. \u00c9trange, non ? Eh bien, c’est ainsi que les choses se pass\u00e8rent.<\/span><\/p>\n

Le flamenco dans les ann\u00e9es 90 : du deuil \u00e0 la r\u00e9invention<\/b><\/h2>\n

La d\u00e9cennie commen\u00e7a avec un vide immense. Cette sensation qu’une \u00e9poque se fermait \u00e9tait l\u00e0 tout le temps. Mais le flamenco ne s’effondra pas, bien au contraire. Il y eut une g\u00e9n\u00e9ration de cantaores \u00e9lev\u00e9s dans la tradition la plus pure qui d\u00e9cida que respecter cette tradition ne signifiait pas rester immobile.<\/span>
\nEt il se passa quelque chose de curieux : le cante monta sur les grandes sc\u00e8nes. Il signa avec des maisons de disques importantes. Il commen\u00e7a \u00e0 passer sur des radios qui ne le regardaient m\u00eame pas avant. Il sortit du tablao \u2014 sans l’abandonner, attention \u2014 et s’installa dans les auditoriums, les festivals et m\u00eame dans les classements de ventes. Ce qu’avaient commenc\u00e9 les<\/span> cantaores flamencos des ann\u00e9es 80<\/span><\/a>, ces gens-l\u00e0 l’amen\u00e8rent jusqu’au bout.<\/span><\/p>\n

Les cantaores flamencos des ann\u00e9es 90 qui ont marqu\u00e9 la d\u00e9cennie<\/b><\/h2>\n

Jos\u00e9 Merc\u00e9<\/b><\/h3>\n

Jerez, \u00e9cole pure. Dans les ann\u00e9es 90, Merc\u00e9 \u00e9tait d\u00e9j\u00e0 l’un des grands du cante jondo. Il venait d’ann\u00e9es pass\u00e9es \u00e0 accompagner la danse \u2014 c’est l\u00e0 qu’on apprend vraiment \u2014 et cela se voyait. Toute cette base lui servit pour le grand saut vers le grand public qu’il effectuerait \u00e0 la fin de la d\u00e9cennie. Il d\u00e9montra une chose importante : qu’on peut toucher tout le monde sans abaisser d’un seul iota la profondeur du cante.<\/span><\/p>\n

Miguel Poveda<\/b><\/h3>\n

La bombe de la d\u00e9cennie. \u00c0 vingt ans, il remporta la L\u00e1mpara Minera au Festival del Cante de las Minas, et le flamenco n’eut d’autre choix que d’en prendre note. Catalan, de surcro\u00eet. Poveda envoya aux oubliettes l’id\u00e9e que le cante ne pouvait venir que d’Andalousie et ouvrit la porte \u00e0 toute une vague d’artistes qui arrivaient derri\u00e8re lui.<\/span><\/p>\n

\"Miguel

Miguel Poveda lors d’une repr\u00e9sentation en direct. Photo : Rafa Manjavacas \/ DeFlamenco.com<\/p><\/div>\n

Ni\u00f1a Pastori<\/b><\/h3>\n

De Cadix, tr\u00e8s jeune, avec un timbre qu’on reconna\u00eet au premier coup d’oreille. Elle apparut au milieu des ann\u00e9es 90 sous l’aile des grands du moment. Son flamenco avait des racines, mais n’avait pas peur de la m\u00e9lodie populaire \u2014 et cela s\u00e9duisit un public immense. L’une des voix f\u00e9minines les plus aim\u00e9es du cante moderne, sans discussion.<\/span><\/p>\n

Diego El Cigala<\/b><\/h3>\n

Tout au long des ann\u00e9es 90, cette voix bris\u00e9e se forgeait lentement \u2014 celle qui lui vaudrait la c\u00e9l\u00e9brit\u00e9 dans le monde entier des ann\u00e9es plus tard. Madril\u00e8ne d’origine gitane, il se forma en accompagnant la danse et en partageant la sc\u00e8ne avec les plus grands. Tout ce qu’il sema durant cette d\u00e9cennie, il le r\u00e9colta dans la suivante. On le voyait d\u00e9j\u00e0 venir.<\/span><\/p>\n

L’explosion du nuevo flamenco<\/b><\/h2>\n

Les ann\u00e9es 90 sont incompr\u00e9hensibles sans le m\u00e9lange. Le flamenco se mit \u00e0 dialoguer d’\u00e9gal \u00e0 \u00e9gal avec le jazz, le rock, la copla, la musique latine. Ce qui \u00e9tait autrefois un scandale devint la norme. Une nouvelle \u00e9tiquette apparut \u2014 le nuevo flamenco \u2014 pour regrouper tous ces artistes qui respectaient la racine mais en \u00e9tiraient les coutures. Maisons de disques, festivals, jeunes achetant des disques\u2026 le cante cessa de demander la permission pour se r\u00e9inventer.<\/span><\/p>\n

L’h\u00e9ritage des cantaores flamencos des ann\u00e9es 90<\/b><\/h2>\n

Cette g\u00e9n\u00e9ration fit office de pont. D’un c\u00f4t\u00e9 la tradition ; de l’autre, le flamenco qui remplit aujourd’hui les th\u00e9\u00e2tres partout dans le monde. Merc\u00e9, Poveda, Ni\u00f1a Pastori et El Cigala montr\u00e8rent clairement qu’on peut honorer le cante jondo et, en m\u00eame temps, le porter \u00e0 des gens qui n’avaient jamais mis les pieds dans un tablao de leur vie.<\/span>
\nLe cante que vous entendez aujourd’hui en direct dans un<\/span> tablao flamenco<\/span><\/a> vient de l\u00e0. De ces ann\u00e9es-l\u00e0, de cette audace, de ces jeunes voix qui refus\u00e8rent de laisser le flamenco \u00e0 l’arr\u00eat. Et le voir en direct reste, de loin, la meilleure fa\u00e7on de comprendre pourquoi les ann\u00e9es 90 ont tout chang\u00e9.<\/span><\/p>","protected":false},"excerpt":{"rendered":"Les ann\u00e9es 80 avaient \u00e9t\u00e9 une p\u00e9riode de transition. Les ann\u00e9es 90, c’\u00e9tait autre chose. Le cante perdit ces ann\u00e9es-l\u00e0 sa plus grande figure et, presque au m\u00eame moment, vit appara\u00eetre les voix qui allaient dominer pendant les trois d\u00e9cennies suivantes. \u00c9trange, non ? Eh bien, c’est ainsi que les choses se pass\u00e8rent. Le flamenco…","protected":false},"author":7,"featured_media":156924,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-159503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artistas-cardamomo"],"acf":[],"yoast_head":"\nChanteurs de flamenco des ann\u00e9es 90 et leur h\u00e9ritage<\/title>\n<meta name=\"description\" content=\"Chanteurs de flamenco des ann\u00e9es 90 : Merc\u00e9, Poveda, Ni\u00f1a Pastori et El Cigala. 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